J.G. Ballard’s The Drowned World is a seminal work in the canon of apocalyptic fiction. Published in 1962, this novel offers a prescient vision of a climate-ravaged Earth, serving as a haunting reflection on humanity’s relationship with its environment.
Narrative and Style
Ballard’s narrative is set in a future where rising temperatures and melting ice caps have transformed the planet. Major cities are submerged, and the world is reverting to a prehistoric state. The story follows Dr. Robert Kerans, a biologist, as he navigates this dystopian landscape, which is as much a psychological realm as it is a physical one.
The prose in The Drowned World is rich and evocative, with Ballard’s descriptions of the sunken cities being particularly vivid and haunting. The narrative is less about the action and more about the internal journeys of the characters as they adapt to their changing world. Ballard masterfully uses the environment as a character in itself, shaping and reflecting the mental states of the protagonists.
Characters and Themes
Kerans, the protagonist, is a complex character, emblematic of humanity’s struggle to find meaning in this new world. His journey is introspective, exploring themes of memory, identity, and the unconscious mind. Other characters, like Beatrice Dahl and Colonel Riggs, represent different responses to the crisis – resignation, resistance, and adaptation.
A central theme of the novel is the psychological impact of environmental change. Ballard delves into the idea that the external world can profoundly influence the human psyche, suggesting that the drowned world is not just a physical reality but also a metaphor for the characters’ inner landscapes.
The book also grapples with themes of time and evolution. The regression of the planet to a more primitive state raises questions about the nature of progress and the cyclical nature of time and history.
Originality: 5/5
The Drowned World stands out for its visionary approach to the apocalyptic genre. Ballard’s focus on the psychological effects of environmental disaster was groundbreaking for its time and remains highly relevant in today’s context of climate change concerns.
Thoughtfulness: 4.5/5
Ballard’s novel is a deeply thoughtful exploration of complex themes. His examination of how human beings might psychologically respond to drastic environmental changes challenges readers to think about the interconnectedness of our external and internal worlds.
Entertainment: 4/5
While The Drowned World is not a conventional page-turner, it offers a unique and immersive reading experience. The novel’s slow pace and introspective nature might not appeal to all readers, but those who appreciate rich, descriptive prose and deep thematic exploration will find it captivating.
Overall Rating: 4.5/5
In conclusion, J.G. Ballard’s The Drowned World is a profound and beautifully written novel that delves into the impact of environmental catastrophe on the human psyche. Its prescient vision of a climate-changed world, combined with its exploration of deep psychological themes, makes it a standout work in apocalyptic literature.

			









The WITHOUT series is a 
There are 7.5 billion people on the planet. 1.2 billion of them live without power. I’ve traveled to many third world countries and have witnessed their daily struggle to survive. It intrigued me to think about how the population of our country would survive if electricity was taken away…forever. Life for those who never had it wouldn’t change much at all. Ours would be turned on its head.
My research covered a wide range of events that were either man-made, accidental, or natural disasters that caused large-scale power outages. Most only lasting a few days, but some lasting a few weeks. In every situation, the good and the bad in people hit both ends of the spectrum. In every situation when large groups of people were plunged into darkness, things went from bad to worse within 24 hours. The downward spiral didn’t change until power was restored.
WITHOUT and WITHOUT II – The Fall, are novels about what may happen if the lights go out…and they don’t come back. I wanted to immerse my character, and myself, into that world and push the boundaries of my creative process. I walked most of the route the character took. I lived without power for days. I was alone while doing both. I didn’t want to tell you what happened to the characters in my book. I wanted to show you.
killed. It seemed like an easy decision: there’s no one in the road, I want to bomb this gap. Oh wait, a car came while I wasn’t looking. Smash. Lying bloody in the middle of road, unsure of who I was, so deep in shock.
Because that’s what happens to us, isn’t it? Or at least, it can be. In the wake of whatever catastrophic event we have in our personal lives, there is an opportunity. A window wherein we can be reborn, change profoundly and become someone different than who we were before.
My take on Apocalyptic fiction in general is one that is obsessed with rebirth. With the idea that apocalypse narratives are just macrocosms of our own lives. Sometimes it feels like we’ve destroyed our own world, that we feel so distant from who we used to be and what we used to believe. But where something is lost the opportunity for something new to be born arises. A new life can come from the part of us or our world that has died. That’s what I write about. That’s the story I want to tell of the apocalypse.

